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Your films appeal to a younger set of audiences than other replica breitling watches rom-coms, perhaps because people in their 20s and early 30s see themselves in your characters—down to the way they dress, their apartments, their lifestyles. How important is it for you to get those details right?
ZLJ: It’s super important. Daryl and I are pretty careful about keeping those details authentic to our world because I think when you are reporting from the belly of the beast, so to chanel fake handbags speak, it’s really important that you’re representing the world that you’re speaking from in a way that feels relatable. And so the aesthetic and the style of the film and the costumes are all really important to our vision as filmmakers. But it’s a natural process. Daryl and I have specific tastes in clothes so that becomes the wardrobe of our characters and then when the movie is over we try to keep the clothes. So…we save a lot of money that way!

ELLE: What was behind the decision of you and Daryl not reuniting as an on-screen couple this time around?
ZLJ: He was too handsome—he was stealing my light! No. I think Darryl was overwhelmed during our first film especially because of how guerilla and homespun the filming was and because cheap watch it was made on such a micro budget. I think it was difficult to be behind and in front of the camera and also writing and executive producing. It was madness. So I think for this, he was excited to just focus creatively on directing and writing. You know, I think Breaking Upwards, because it was loosely based on us, it felt organic for us to play those roles and we didn’t want this to be autobiographical in any sense. We felt we had done that already.